October 30, 2016

Indah Batik Solids

I couldn't resist the sale at Hancock's of Paducah when I saw the Hoffman Me + You Indah Solids at a great price.

I just love batiks for their higher thread count which means less fraying and when machine appliqueing a smaller stitch width can be used.

I've made two projects this year from the Hoffman Indah batiks already, the Well Ronded Single Girl quilt and an Outlined Plus mini quilt.


There were so many from which to choose, but ended up going with some beautiful greens and blues. The colors from top to bottom are (I think):
  • Chartreuse
  • Pistachio
  • Sea Breeze
  • Kelly
  • Teal
  • Seahorse


If you'd like to try or stock up on the Hoffman Indah batiks, it looks like the sale is still going on at Hancock's.

Linking up to the 200th Sunday Stash.  There's a celebration going on over there, so join in on the fun.


October 28, 2016

Cursive is a Fading Art

I am excited to share a recently finished quilt, Cursive.  This wall hanging was made for an entry in the Black, White and Pop of Color Challenge issued by the Greenville MQG.  And since I was the coordinator of the challenge, I definitely wanted to participate.

Cursive in front of the James B. Duke Library at Furman University
 The basic rules of the challenge were to create a quilt using only black and white fabrics whether prints or solids and one pop of color.  Some gray fabrics could be used and no side could be larger than 36".  My goal was to encourage participants to create quilts in a modern aesthetic which could then also be entered into QuiltCon East in the small category.

I actually thought of a similar idea back in 2014 when the MQG announced the bias tape challenge.  My idea at the time was to create hand writing paper with a broken midline similar to the paper used by those learning to write cursive.  But since I was able to use only one pop of color, I decided to design the background like ruled three-ring notebook filler paper.

Background of Cursive designed like filler paper
My original idea was to include the cursive words, Practice makes perfect and make them from bias stems rather than bias tape.  Bias stems are made from strips of fabric, cut on the bias and sewn wrong sides together to form a tube.

Since I did not use the more elementary style 'paper' I changed the wording to Cursive is a fading art.  The handwriting used was D'Neilian Handwriting and permission was granted by the developer, Donald N. Thurber.

This blue-gray brick wall found in downtown Greenville (SC) on the way to my MQG meeting was the perfect backdrop for Cursive.

Cursive by Paige Alexander
Most of the fabrics are text related fabrics from the background to the binding and lettering.  Four of the fabrics are from Modern Background Essentials by Brigitte Heitland (Zen Chic) for Moda.  Not able to find a dark gray text fabric, I used another Zen Chic print similar to text.  And you can see I started out with black text fabric and faded to a pure white text fabric (Jam's &Jellies by Henry Glass).  The next to last print is the binding is the backing is College Ruled from Paper Obsessed by Heather Givens for Windham Fabrics.

Fabrics used in Cursive
Robert Kaufman Kona Cotton in bright pink was used to make the bias stem to create the vertical line of the notebook paper and was the only bias which was stitched by machine.  The horizontal lines which finished at 1/4" were pieced from Michael Miller Cotton Couture in fog.  The thinner weight of Cotton Couture was perfect since there were bulky overlapping seam allowances on the back.

Vertical line created from bias stem and machine stitched in place

The background was pieced from one length of fabric and, although the text is subtle, I was careful to match the printed handwriting when inserting the horizontal strips.

I had the idea of practicing my cursive handwriting by quilting rows of lower case letters in between the lines.  Spacing of the rows needed to be calculated because some letters drop below the line while other are different heights. Knowing I was not coordinated enough to quilt this entirely free handed,   I drew out every single cursive letter and the horizontal guide lines with a blue water soluble fabric marker.  I tried to choose letters which were not too complicated so that meant not dotting i's or crossing t's.

Lower case cursive letters drawn with a water soluble marker
And another reason to draw out every single letter was that in order to fit the quilt easily under my machine, the letters in the top half were quilted sideways from right to left (top to bottom).  The most difficult part was quilting the lower half where I was actually quilting as if writing the backwards (top to bottom).

Lower case cursive letters were quilted backwards
I noticed the my stitch length when quilting the l's was longer after I rounded the top and was coming out letter.  Aurifil 2600 dove gray was used for the quilting the lettering.  I did use my walking foot to quilt in the ditch along each side to the notebook paper lines.

Cursive detail
This was the first time that I pieced the background, quilted and blocked it before I applied the hand and machine applique (and the binding).  I had no idea how this would work, but it worked out fine.  I knew there was no way I could keep the flow of the quilted letters if I had to stop and work around the applique.  Not to mention, I surely didn't want to bury all those threads.

Cursive detail
The most difficult part was hand appliqueing the lettering to the background and being very careful not to allow my applique stitches to be seen from the back.  I also had to manipulate the stems for turning corners and tight curves and carefully trim them at various angles to hide the stops and starts.

The dots of the i's and the period were made using Karen Kay Buckley perfect circles. I don't remember how long it took to complete the applique, but I stitched it all standing over my ironing board.

Cursive detail
Another shot of the lettering.

Cursive detail
I was astounded as to how creme the Modern Background is compared to the backing from Paper Obsessed.  When they are not together it wasn't that noticeable.

The label was hand written, not in cursive though, with a permanent fabric marker using the same fabric but on a square that was cut on the bias.
 
Backing of College Ruled from Paper Obsessed by Heather Givens
I was thrilled to received 1st place in the Black, White and Pop of color challenge and 2nd place in Gray Matters category of the Asheville Quilt Show.

Cursive received 1st and 2nd place ribbons
Here I am at the the Asheville Quilt Show with Cursive.

Paige Alexander with Cursive at Asheville Quilt Show

Here's one more of Cursive on the brick wall downtown Greenville.  You can see what I used to 'hang' the quilt sitting on the curb.  Loops of masking tape held it in place.

Cursive held in place with masking tape

And this one was taken on the wall of the old Dacusville Elementary School which is now a community center.

Cursive on the wall of the Dacusville Community Center
I know I've shared many photos and a lot of details but I wanted to document it well since Cursive is now in a new home.  After a friend of Susan Bachelder snapped a photo at the Asheville Quilt Show and sent it to her, she inquired about purchasing the quilt.  You see, Susan has just self published a book, Alphabet Crash, about the decline of cursive writing.  It couldn't go to a better home.

Cursive rolled up and ready to ship

Quilt Stats:
  • Finished size: 34" x 36" 
  • Pattern: Original design using D'Nealian Handwriting
  • Fabrics: Background - Modern Background Paper by Zen Chic for Moda and other prints listed above; Backing - College Ruled from Paper Obsessed by Heather Givens for Windham
  • Thread: Quilting - Aurifil 2600 Dove Gray
  • Quilting design: Free motion and some straight line with walking foot
  • Batting: 100% Cotton Warm & White by the Warm Company
  • Completed: August 2016



October 26, 2016

Alison Glass Charm Swap

When Yvonne at Quilting Jetgirl announced she was hosting an Alison Glass charm swap I knew I wanted to participate.  What I didn't realize is how fast it would fill up!  I was pretty close to bottom of the list and glad to be included.

I found Historical fiction (7868) in Green from Ex Libris collection by Andover Fabrics at my local quilt shop.

5" charm squares of Historical Fiction from Ex Libris by Alison Glass

All 72 of the 5" charm squares were cut from 1 1/2 yards and will be on their way to Yvonne tomorrow.

Historical Fiction from Ex Libris 5" charm squares

The original print I was planning to use for the swap was Bike Path in blue from her Luck Penny collection.  I was about to cut into it and discovered I had already prewashed it...and that would be breaking swap rule #4. (The perils of a prewasher.)  I think this will make a great binding with the dotted stripes.

Bike Path from Lucky Penny by Alison Glass

Now to wait on my charm squares to arrive.  In the mean time, have your peeked at Alison's new line Seventy-Six?  It's beautiful!

Linking to Let's Bee Social and Fabric Frenzy Friday.

October 23, 2016

Shark Professional Iron Review

When my previous iron left brown marks on my quilt top when using a burst of steam, I was done with it!  I immediately left my house late one evening, drove to the closest big box store and picked out a iron.  No online shopping, pouring over reviews or anything, I needed a iron quick!

I came home with the Shark Professional GI435.  The price was right, just under $40.  I unpacked it that night and started using it right away.

Shark Professional Iron GI435 in the auto-off mode

The soleplate is stainless steel with multiple steam holes.

Shark iron with stainless steel soleplate

The front view of the Shark Professional GI435 is shown in this photograph.

Shark professional iron

This is a detail shot showing the water inlet door, steam control, steam burst and spray buttons and electronic temperature control.  I use steam all of the time even while piecing and the burst of steam delivers the just right amount of steam.  I'm not a sprayer and have not used that feature.

Shark professional iron features

The LED display panel showing the power mode and fabric settings is easy to read and I like the way it functions. The first picture above with the red light shows the iron in auto-off mode.  The iron shuts off after 7-9 minutes and the red light blinks to indicate it has shut off.

To restore power to the iron, all you have to do is gently shake or I simply lay it down and stand it up again.

Shark professional iron indicating power on

Once the power is restored, you must still choose your desired fabric setting again by pressing the fabric indicator until you reach the desired setting.  At first I thought that was annoying, but after using the iron daily for a week, it's no big deal.  I can restore power and choose the fabric setting simultaneously in no time.

Power restored by laying iron down after auto-off

And I love that the LED panel blinks letting me know the iron is heating up to the desired temperature.  Once it has reached the desired temperature the light stops blinking.  And if I am pressing a lot, like that new yardage just added to my stash, the light will start blinking to let me know the iron needs to heat back up.  (Yes, I'm a prewasher and can't help it!)

Shark iron with the fabric selector set to the linen/cotton setting

The only drawback I have discovered is the length of the power cord which is 96"(8 ft.).  I am accustomed to walking all the way around my ironing board, so I added a short extension cord to increase the length.

The Shark Professional GI435 has 1550 watts of power.  The tank holds about 12 oz. of water.  The instructions say to clean the exterior of the iron every two weeks with a damp cloth and wipe dry but I did not see how often the self-cleaning feature should be used.

So far, I am very pleased the Shark Professional GI435 iron and will update this post with any new discoveries.  And I will add that this is not a sponsored post.

The quilt in the background on my design wall is Positively Transparent.

Linking to Sunday Stash and Main Crush Monday.


October 16, 2016

2016 Finish-A-Long Q4

I thought I would join in on the fun, for the the first time, to the 2016 Finish-A-Long for Q4!  It's hard to believe that 2016 will be coming to a close!

This is my list of projects to tackle before the end of the year in no particular order:

1.  Midnight Mystery - I'm down to cutting the courthouse step blocks into quarters and then I can start piecing the blocks together.  Related post is here.

Courthouse steps blocks cut in to quarters
I have one block complete from Midnight Mystery, Meadow Mist Design's mystery quilt from 2015.


Midnight Mystery quilt block

2. Star Light, Star Dark QAL - The large stars are complete and now I need to finish the small stars I have started.  You can see the finished quilts from the Quilt-A-Long at Quilty Habit.


Large stars for Star Light, Star Dark QAL

3.  Michael Miller Luxe Fabric Challenge - I would like to participate in the Michael Miller fabric challenge for QuiltCon East.  Now to find some inspiration on how to use this fabric.

Michael Miller Luxe fabric

4.  Placemats for Meals on Wheels - my local guild is collecting placemats to give to the Pickens County Meals on Wheels recipients.  I have several in the works which I need to finish.

Placemat with binding sewn on and still need to complete

5. Modern Quilts Unlimited Quilt Challenge - All 12 blocks are completed in the Everything Old is New Again Challenge.  I've decided on a layout and and now it time to finish it.  The deadline is November 15th.  My post about Block #12 gives more details about the blocks and challenge. Here are all 12 blocks.

Blocks for the Everything Old is New Again Challenge.


This should keep my busy until the end of the year.  Linking to the gracious hosts for Q4 of the 2016 Finsh-A-Long.


October 6, 2016

Throwback Thursday #7: Leaves Art Quilts

I'll say right off, I'm no art quilter.  So, back in 2008, when my local guild offered a monthly class/discussion to go through the Art Quilt Workbook, I signed up. We went through a chapter each month where the exercises focused on the elements and principals of design learning new techniques along the way.

For Throwback Thursday and with it being fall, I'm sharing two mini quilts made while working through the exercises from the book, both measuring 9" x 12".

In the first one, I remember us covering freehand curved piecing and flange insertion.

Leaves II art quilt

Here you can see the green flange added and the curved piecing.

Leaves I

Leaves I

I was trying to show perspective by adding the shadow below the leaf, but when in nature have you seen a perfectly flat leaf with its perfect shadow.

I had just learned to pebble quilt and I was brave enough to add the swirly feathers to portray the wind on breezy fall day.  Straight lines were added to the top and bottom borders.



I probably should review the book again.

Art Quilt Workbook by Jane Dávila and Elin Waterston

On the second mini quilt, it contains 'found objects'.  The square ceramic buttons were purchased at a street festival.  They may be a little chunky for this piece, but I used the square shape and extended it into the quarter log cabin blocks.

Leaves II

One chapter covered border options and I extended the log cabin block out into the border.  I repeated the leaf theme of the buttons in to the border by quilting continuous leaves all around.  I quilted just straight lines in the log cabin blocks not necessarily following a particular path.


You may not can tell from the photo, but I used seed beeds on the thread to sew on the buttons.  If it weren't for the colors and muddy batiks, this could almost be a modern 'ish' little quilt.

And one more with the birdhouse made from a gourd hanging from the tree.



Now head on over to A Quarter Inch from the Edge to see other makes from the quilty past.